This is one of George MacDonald’s later books, the story of a young, leisured man who discovers a world within (or beyond?) his own where he is challenged to “die indeed” by a raven who seems to be the first man, Adam. Plunged into a fantastical world of little children living at peace with their beasts in the forest, giants, dueling skeletons, and an evil princess attended by leopards who terrorize the land, the hero must face not only the terrors, but his own capacity to act, choose, and love. A MacDonald fairy tale is a world of spiritual realities made flesh. Not direct allegory, nor yet mere fantasy, Lilith is a journey into the regions of the soul, into grace, sin, suffering, and the fresh-sprung waters that come when we learn to lay down what keeps us from dying in order to live.